作品《人人愛我》為泰國藝術家納威如何面對其內在恐懼並與之對話的作品。納威的恐懼根植於黑暗，在作品中，他以其他影像去對抗他腦中發生的影像；他將光線投向影像來對抗放映前後的黑暗；他以其他聲音對抗自已的聲音來抵擋播放前後的一片寂靜。而在影像高度擠壓的時空中，什麼會留存下來？

在作品內容中，有許多關於「we」和「I」之間的交織和調換。「we」這個字在泰文中同時有「我」和「我們」兩種含義。在此件作品中，藝術家時常去思考到「we」這個字在使用時的內在意含，特別是在泰國許多不同的活動或是發表宣言的場合。在納威的看法中，「we」代表的是一個相對被動的「我」居處在一個屬於「我們」的群集中。

We love Me is a work about how the Thai artist Naween faces his inner fear and engages the conversation with it. The fear of Naween is rooted in darkness. In his work, the artist utilizes other images to fight against the images happening on his mind: he projects the light to the image to fight off the darkness before and after the screening; he uses other voices to fight against his own voice and shield from the silence before and after the screening. Yet, what remains in the end in the highly compressed space and time of images?

In the artwork, “we” and “I” are used interchangeably here and there. The word “we” in Thai includes the meaning of “I” and “we’. The artist in this work often think about the connotation of the word “we” in application, especially in various events or speeches in Thailand. To Naween, “we” represents a relatively passive “I” dwelling in the cluster of “we”.