希臘藝術家馬契斯的作品《分解完形》主要關注於一種憑藉著每個微小部分相互脈動而構成整體有機分佈的敘事形式。此件作品應被感知為一開放式的系統，好讓所有的存在能夠藉由自然地生滅消亡持續性的互動。

本質上來說，這是一組快速變化的片段記憶與夢的安置，從一個有機的存在過渡至不存在的過程及之間的解構與失序。這個過程也正是此作的創作基因，在變動與開放下迎接每個變異，建構一個想像而虛擬的DNA。

The work A Process To Incomplete a Complete Body by the Greek artist Makis Kyriakopoulos focuses primarily the holistic and organically distributed narrative formed by the mutual pulse of each minute part. The artwork should be recognized as an open system for all beings to naturally live and die and continue to interact with each other.

It is essentially the allocation of a set of fast-changing fragments of memory and dream, a transitional process from an organic being to nonexistence as well as the deconstruction and disorder in between. Such process is also the very gene to creating this work, welcoming each variant in variation and openness, a virtualized DNA that constructs an imagination.