《尖角體》是件單頻道影像作品，背景立於一場演奏會，流動的鏡頭描繪一個中介於人與機器的物體及其動作與視野。此件作品可以分為三個部分：人的身體（指揮家）、音樂（理察．史特勞斯的作品《變形》）及攝影機器（電腦動作控制攝影）。其中，攝影機器的動作控制由數據所安排構成，而數據來自於音樂和樂團指揮的動作（藉由動態捕捉取得）。在拍攝過程中，這種機器與人動作的互為關係使機器成為了影像的另類化身。

在此件作品中，物被藝術家擬作一種感性存在，得以去細細觀察被攝者的身體及因之所產生的動作之間的混亂交雜，同時作品亦企圖打開一個由三種元素相遇所創造出的可能觸及與感受的精神空間。

Fraktur is a single-channel video work set in a concert. The flowing camera depicts a device existing in between man and machine and its movements and sight. The artwork can be divided into three parts: human body (the conductor), music (Richard Strauss’ Metamorphosen), and the video-shooting machine (the motion of which is controlled by computer). The movement is controlled by an array of data, which comes from the music and the movement of the conductor (by motion capture). During process of shooting, the reciprocal relationship of the movements between machine and man makes the machine an alternative incarnation of image.

In this work, the device is compared by the artist to a sensitive being in order to closely observe the promiscuity between the filmed body and the derived motions. Meanwhile, the artwork attempts to open up a spiritual space that is palpable and sensible generated by the encounter of the three elements.